Севара и Эльф

“If one could safely subtract from Petya's playing, then I wanted to add something to Zaytsev’s all the time,” wrote Andrei Makarevich about the former keyboardists of The Time Machine. It can be seen that this formula is applicable to Russian pop music in general. In the genre, it is customary to dump on the ears and heads of listeners absolutely everything that the creators of pop songs and pop projects are capable of: a maximum of boobs and sparkles, a golden sequence in every chorus, anguish and unnatural cheerfulness. But nothing is hidden from the consumer: listening to Russian pop hits, you do not doubt for a minute that their authors have once again squeezed out of themselves a creative gift to the last drop. At the same time, a person with ears still lacks something in this music, I would like to add.
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